Exhibitions
Hiya: Virginia Phongsathorn, Galerie de l’Angle, Curator (September 2012; Paris, France)
A solo exhibition of paintings inaugurating a new platform for emerging artists.
Building and Destruction, The Courtauld Gallery, Co-Curator (October 2009–January 2010; London, UK)
A display of drawings and prints in conjunction with the exhibition Frank Auerbach: London Building Sites 1952–1962.
Unseenamerica, The Carriage House, Curator (July–August 2002; New York, United States)
Photographic self-portraits of union workers from 1199/SEIU.
SELECTED WRITING
“Unsafe Space: On Risquons Tout.” Artforum. January/February 2021.
“Review: Daniel Dewar & Grégory Gicquel.” Artforum. December 2020.
“Review: Simon Fujiwara.” Artforum. July/August 2020.
“Critics’ Picks: Emmanuel Van der Auwera.” Artforum. September. 2019. Online.
"Based Less on Profit than on Substance." Kurt Ryslavy: Based Less on Profit than on Substance. Mechelen: De Garage Cultuurcentrum Mechelen, 2016.
“From Dust to Dust.” Maria Bartuszovà: Provisional Forms. Edited by Marta Dziewanska. Warsaw and Chicago: Museum of Modern Art and Chicago University Press, 2016.
"Lea Lublin." art press. November 2015.
“Mounira Al Solh,” “Ataman Kutluğ,” “Georg Baselitz,” “Jeremy Deller,” “Marlene Dumas,” “Dora Garcia,” "Kutlug Ataman," “Fabio Mauri,” “Cheikh Ndiaye,” “Philippe Parreno,” “Pino Pascali,” “Mika Rottenberg,” “Gedi Sibony,” “Taryn Simon.” All the World's Futures: 56 International Art Exhibition. La Biennale Di Venezia. Edited by Okwui Enwezor. New York: Rizzoli Universe Int. Pub, 2015.
Contributing editorial writer. Artsy. June 2014–May 2015. Online.
"Critics' Picks: Mohamed Bourouissa.” Artforum. December 2014. Online.
"The Alchemy of Rebecca Rebecca Horn." Artsy. November 2014. Online.
"Critics' Picks: Maria Bartuszovà.” Artforum. October 2014. Online.
"Galerie Thomas at 50 Years: An Interview with Founder Raimund Thomas." Artsy. October 2014. Online.
“The Oeuvre Nonpareil.” Eric van Hove: V12 Laraki. Leuven: Motto/Fenduq Press, 2014.
“Les Moulins.” Totipotent Architecture. Paris: Damiani, 2013.
“Spartacus Chetwynd,” “Mona Hatoum,” “Pierre Huyghe,” “Sarah Lucas,” “Bridget Riley,” “Thomas Schütte,” “Wolfgang Tillmans, “Rosemarie Trockel,” “Rebecca Warren.” Out of the House. Edited by Mark Godfrey and Anne Pontegnie. Madrid: Sala de Arte, Fundación Banco Santander, 2013.
“A Terrible Beauty is Born.” Art in America. 26 October 2011. Online.
“Organs without Bodies: Isabelle Cadieux’s Works on Paper.” An Unquiet Mind. MFA Thesis Exhibition catalogue. Chicago: Columbia College, 2011.
Works on Paper. London: The Courtauld Gallery, 2010.
“Material Witness.” The 2005 National Undergraduate Symposium in Art History. Portland: Portland State University and Portland Art Museum, 2005.
edited ESSAYS, books & periodicals
Co-author and editor. 2021 Open Studios. Maastricht: Jan Van Eyck Academie, 2021.
Editor. Hicham Khalidi and Rolando Vázquez. “A New Bauhaus? The Debate for a More Inclusive Europe.” Rekto:Verso. 14 January 2021. Online.
Co-editor with Harlan Levey. Emmanuel Van der Auwera: A Certain Amount of Clarity. New Haven: Yale University Press, 2020.
Co-author and editor. 2020 Open Studios. Maastricht: Jan Van Eyck Academie, 2020.
Co-editor with Hicham Khalidi. Eric van Hove: V12 Laraki. Leuven: Motto/Fenduq Press, 2014.
Co-editor with Hicham Khalidi. Where Are We Now? Marrakech Biennale 5. Heijningen: JapSam Books, 2014.
Co-editor with Hicham Khalidi. On Geometry and Speculation. Marrakech: El Watanya, 2012.
Atlantic Community. Sept. 2007–Mar. 2008. Online.
English language editor. Süddeutsche Zeitung. 9 Feb. 2007. Special edition supplement in collaboration with the Munich Security Conference and the American Academy in Berlin.
English language editor. Handelsblatt and Der Tagesspiegel. 14 Sept. 2006. Special edition supplement in collaboration with the American Academy in Berlin.
TranslatION
Michels, Norbert. “Review: Printing the Grand Manner. Charles Le Brun and Monumental Prints in the Age of Louis XIV.” Print Quarterly (unpublished).
Vismann, Bettina and Jürgen Mayer H. “Schwitzwasser: Oder Die Neue Nationalgalerie zwischen Kaltwetterfronten.” When Things Cast No Shadow. 5th Berlin Biennale for Contemporary Art. Berlin: KW Institute for Contemporary Art and JRP / Ringier, 2008.
Copy EditING
Banks, Eric and Hans Werner Holzwarth, eds. Christopher Wool. Berlin: Taschen, 2008.
Holzwarth, Hans Werner, ed. Ernesto Neto: From Sebastian to Olivia. Berlin: Holzwarth Publications, 2008.
Honors & Awards
Study grant from the French Ministry of Foreign Affairs, 2019–2020
Stavros Niarchos Foundation grant for study at the Courtauld Institute, 2008–2009
ACCESS delegate to a week-long deputation of American young professionals to Germany, March 2007
Fox Memorial Award granted by the League of Women Voters, 2001
Photo: Maria Bartuszovà, 2014
Installation view, Maria Bartuszovà: Provisional Forms, September 25, 2014–January 4, 2015, Museum of Modern Art Warsaw
Photo by B. Stawiarski / Courtesy of Museum of Modern Art Warsaw
Essay in Maria Bartuszovà: Provisional Forms. Edited by Marta Dziewanska. Warsaw and Chicago: Museum of Modern Art and Chicago University Press, 2016.